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Michael Maltzan completes revamp of LA’s Hammer Museum

Michael Maltzan completes revamp of LA’s Hammer Museum

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A brand new foyer and sculpture terrace are among the many closing additions to a Los Angeles artwork museum that was strategically revamped over a 23-year interval by native studio Michael Maltzan Structure.

Positioned within the metropolis’s Westwood neighbourhood, the Hammer Museum is housed in a rectilinear, stone-clad constructing designed by American architect Edward Larrabee Barnes and accomplished in 1990. In recent times, the museum’s packages have expanded to occupy house in an adjoining Nineteen Sixties workplace tower.

Courtyard at the Hammer Museum with a tree, outdoor seating and white buildings connected by a bridge
A pedestrian bridge is amongst new additions to the museum

The museum – which is a part of the College of California, Los Angeles (UCLA) – was initially based by the late industrialist Armand Hammer to showcase his private assortment of European and American artwork.

In 1999, a brand new director, Ann Philbin, who stays on the helm, got down to make the museum extra accessible to a wider viewers by way of its paintings, programming and architectural design.

Museum gallery space with white walls covered in red threads
The foyer at the moment includes a purple thread set up by Chiharu Shiota

Native studio Michael Maltzan Structure was tapped in 2000 to design a grasp plan for Barnes’ constructing, consisting of galleries round a central courtyard. The museum had an insular really feel, and the architects had been tasked with making the constructing extra welcoming.

With work being carried out over 20-plus years, Michael Maltzan stated the challenge required “extraordinary persistence and inventiveness”.

Internal gallery space at the Hammer Museum with white walls and wooden floors
The museum was revamped over 23 years

“This was actually a case of constructing the airplane whilst you had been flying it,” studio founder Michael Maltzan stated. “I can not consider some other shopper that will have had the daring and creativeness to hold it off.”

Among the many current and closing updates is a redesigned foyer, positioned on the bottom ground of the adjoining tower, which was in-built 1962 for Hammer’s firm, Occidental Petroleum. In 2015, the museum took over two flooring of the tower.

An outdoor courtyard at the Hammer Museum by Michael Maltzan Architects with a white pedestrian bridge
The museum is positioned in LA’s Westwood neighbourhood

The foyer has ramps, stairs and an elevator set round an elliptical data desk. Web site-specific installations are deliberate for the house, and a labyrinth of purple thread by Japanese artist Chiharu Shiota is at the moment on view.

The foyer’s entrance is oriented towards the nook of Wilshire and Westwood boulevards, simply throughout from a future cease for the LA Metro Purple line.

“A cylindrical, one-storey-high column set right into a concave fold within the pavement marks the busy nook of Wilshire and Westwood,” the staff stated.

“The column helps the sting of a porch that has been carved out of the tower to supply a dramatic and welcoming level of entry.”

A studio space with white walls, wooden floors and a large window looking out to the street
Massive home windows present a connection to the road. Picture by Eric Staudenmaier

Past the brand new entrance and foyer, the staff has added a brand new outside sculpture terrace, the place one finds a towering bronze sculpture by American artist Sanford Biggers.

The staff has additionally added a 5,600-square-foot (520-square-metre) gallery with a glazed wall going through Wilshire Boulevard, offering a connection to the streetscape.

Theatre space with black walls and ceilings, strip lighting and hot pink seats
The studio added a theatre with scorching pink seats. Picture by Eric Staudenmaier

The brand new additions are the most recent in an extended record of enhancements. The staff has expanded places of work and back-of-house areas; renovated galleries, a store and a restaurant; and created a brand new gallery and examine centre devoted to works on paper.

Different modifications embody the creation of the Billy Wilder Theater, which was added in 2006 and options scorching pink seats; and the development of a pedestrian bridge that traverses the courtyard and connects third-floor galleries.

Terrace at a white building overlooking a courtyard with a tree
The museum types a part of the College of California, Los Angeles

Your complete challenge has value $90 million (£72 million). The constructing has been formally dubbed the Lynda and Stewart Resnick Cultural Middle — named in honour of the Resnick household, who donated $30 million to the Hammer Museum, its largest-ever single reward.

“From the beginning, our aim was to make the Hammer right into a welcoming, public-facing, university-affiliated establishment engaged with as we speak’s artwork and artists and the pressing problems with our time,” stated Philbin.

“I’m past thrilled to welcome everybody to a reimagined Hammer Museum that’s greater than 20 years within the making.”

Different initiatives by Michael Maltzan Structure embody LA’s Ribbon of Gentle Bridge, which options a number of concrete arches which are lit from under, and a bright-white residential advanced that accommodates over 60 studio flats for previously homeless tenants.

The images is by Iwan Baan until in any other case said.


Challenge credit: 

Architect: Michael Maltzan Structure, Inc
Design staff: Michael Maltzan (design principal), Tim Williams (managing principal), Gee-ghid Tse (senior challenge designer), Nick McAdoo (challenge architect), Sahaja Aram, Dana Bauer, Emily Bidegain, Wil Carson, Joe DiMatteo, Wendi Gilbert, Tom Goffigon, Nora Gordon, Vano Haritunians, Ken Hasegawa, Sara Jacinto, Sevak Karabachian, Yong Kim, Yvonne Lau, Nick Martinez, John Murphey, Stacy Nakano, Edward Ogosta, Kyle Peterson,  Nadine Quirmbach, Kurt Sattler, Krista Scheib, Jeff Soler, Owen Tang, Hiroshi Tokumaru,  Nicole Tomasi, Jessica Tracey, Edward Tung, Yan Wang, Sharon Xu
Graphics: Bruce Mau Design, Inc
Structural engineer: John A Martin & Associates
Structural design engineer: Man Nordenson and Associates, LLP (John V Tunney Bridge)
MEP/FP engineer: ARUP, Progressive Engineering Group (BWT)
Lighting design: LAM Companions Inc, ARUP
Basic contractor: Matt Building Company
Consumer: UCLA Hammer Museum
Museum management: Ann Philbin (director), Marcy Carsey (chair, board of administrators)

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