On this week’s feedback replace, readers mentioned Specht Architects’ glass pavilion home within the Berkshires and debated a bathroom made out of wooden chips.
Specht Architects has designed a residential, symmetrical glass pavilion in The Berkshires, Massachusetts, as a spot to showcase antiques.
Commenters noticed echoes of Mies van der Rohe’s Farnsworth Home, a glass home in Illinois accomplished in 1951 by the twentieth century modernist architect.
“I would like to have a shopper like this”
Archi thought it was concurrently a “drained Farnsworth idea, however that is very well finished. The roof virtually magically floats with its skinny profile. Hidden construction and system is good.”
Betty Rubble agreed. “Sure, it feels Farnsworth, but it surely’s nonetheless beautiful.”
The studio informed Dezeen how they hardly ever get the possibility “to design an ‘object’ home on a totally open web site with out neighbouring buildings” and commenter Meesh concurred, saying “I would like to have a shopper like this”.
Alfred Hitchcock was upvoted for commenting “lovely exhibition show cupboard – or is it meant to be a house?”
What do you consider the venture? Be part of the dialogue ›
“One other plastic object with some wooden stirred-in, claiming to be sustainable”
Finnish design firm Woodio launched a bathroom made out of wooden chips blended with fossil-based polyester and bioplastic resins, which they declare generates 99 per cent fewer emissions than the manufacturing of conventional ceramic sanitaryware.
Commenters had been sceptical in regards to the product’s credentials and performance.
“You had me till ‘fossil-based polyester and bioplastic resins’,” commented Youreastar.
JoeBob was equally underwhelmed, asking “wooden sure along with resin, or plastic with wooden bits in?”
“One other plastic object with some wooden stirred-in, claiming to be sustainable. File this below greenwashed future-microplastics and transfer on,” stated Al Ki.
Upvoted by half a dozen different commenters was Walter Astor for explaining “the fantastic thing about white porcelain is that you simply instantly know if the bathroom is or is just not clear”.
“I am unsure I’d really feel the identical method about this mottled product whose floor appears virtually designed to hide a world of stains and different undesirable human waste,” they continued.
Would you need this rest room in your house? Be part of the dialogue ›
“Only a large-scale pointless little bit of mall artwork’
An enormous cover filters gentle by means of round openings above this public plaza in Sydney, which Ghanaian-British architect David Adjaye’s studio has created with artist Daniel Boyd.
Readers debated how profitable the venture was at highlighting the positioning’s heritage, as soon as the land of the Eora nation – a gaggle of Aboriginal Australians.
Anthony Sully referred to as it “one more instance of fabric and kind having nothing to do with an indigenous tradition”.
“It’s as much as Aboriginal folks to decide on how they characterize their tradition, and modern representations ought to be celebrated,” countered Ron.
In the meantime, JZ admired “the visible results of the perforated aircraft – that works very well. And the recognisable however exaggerated type of the constructing is classy.”
Nonetheless, native resident IW did not agree, saying “I dwell in Sydney and stroll previous this most days. It is terrible – that cover is only a large-scale pointless little bit of mall artwork.”
What do you suppose? Be part of the dialogue ›
“How lengthy did it take them to provide you with that?”
The Metropolis of New York launched an up to date model of its unofficial emblem – Milton Glaser’s iconic “I ♥ NY” emblem – as a part of a citywide marketing campaign to “encourage optimism and civic motion” post-pandemic.
The up to date wordmark, created by graphic designer Graham Clifford, reads “WE ♥ NYC” in a blocky sans serif typeface. Readers had been fast to go to the feedback part.
Darin Kirschner felt that the brand new emblem “would not lock up, it would not steadiness, and the kind and the center icon look from completely different worlds so it lacks cohesion.”
“How lengthy did it take them to provide you with that?” requested Alex. “I wish to see what else was on the drafting board to get an concept of how a lot the shoppers had their say,” they added.
ScuffedShoes was damning: “As a life-long New Yorker I can say with some confidence that that is an terrible design in just about each method: idea, design, historical past, or some other criterion.”
Do you want the brand new emblem? Be part of the dialogue ›
Feedback replace
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